There’s a maxim I like that says, “The art of good conversation is in knowing what not to say.” Somewhat along those lines we can add that the art of good editing is knowing what questions haven’t been asked.
As one of those whose coming of age coincided with the birth of Rolling Stone magazine, the University of Virginia gang rape story debacle has a personal edge to it. It’s hard to watch those for whom you once had great affection smear themselves with disgrace. While not exactly among the top tier of credible journalism — too many puff pieces of trendy, interchangeable pop stars with new product to sell — the magazine has retained its reputation for daring where others shrink back by regularly featuring people like Matt Taibbi, unquestionably the leading scourge of Wall Street fraud and manipulation.
But Taibbi and others of solid standing are going to be reevaluating their association with the magazine if Sabrina Rubin Erdely’s tale of a freshman woman being violently gang-raped in a UVA frat house completely dissolves down the drain, which is sure looks like it is about to do.
I only read the piece after it became a national cause celebre. But even as a consumer I was asking, “Where is the full reach-out to the alleged perps?”, “Who for sure knows this happened?” and “This poor girl was thrown through a glass topped table, then brutally gang-raped for hours and she has no signs of cuts or bleeding? What?”
Then came the flabbergasting explanations from Rolling Stone’s editors that they had “honored the victim’s request” not to talk to the men involved, out of concern for retaliation, supposedly. At that point the thick odor of cynical commercialism overwhelmed the episode. If you don’t have confirmation of the incident, you don’t have a story.
There’s enough interest that at some point in the not too distant future we may learn what really happened. My guess … guess … is that the victim, Jackie (apparently her real name), engaged in some kind of abusive sexual experience with someone(s) and fell into a depression over it. The way this thing is trending as of today suggests she very likely confabulated her experience/ordeal into something far more violent, with herself as an unequivocal victim.
At that point Erdely, shopping for a vivid, sensational story on which to build a case against big Universities for their ineffective sexual assault policies, seized on Jackie and then, as an advocate for Jackie’s search for justice, dialed out anything that might in any way weaken the story.
But how Rolling Stone, with a lot more to lose than one lone writer, consented to the terms of Erdely’s agreement with Jackie is beyond me, sort of. Taibbi has gone on record describing Rolling Stone’s fact-checking process as hellishly intense. But obviously intensity toward Erdely’s rape story was for all intents and purposes non-existent, since the editors were willing to dispense with full ascertainment of a charge of violent gang-rape against a group of young men whose identities have been readily speculated upon on the UVA campus and elsewhere.
Pretty clearly Erdely and Rolling Stone were looking for a blockbuster. This episode is a lot like their controversial, and I still say reprehensible cover of Boston marathon bomber, Dzhokhar Tsarnaev. There, the magazine cynically imbued the killer with celebrity sex symbol status for marketing impact. The story was solid. But the marketing was, as I say, nakedly cynical. (But hey, it doubled average newsstand sales. So what do I know?) Here, the irresistible impact of an outrageous story of a gang rape of a girl who could be anyone’s teenage daughter pretty clearly trumped the fundamental criteria of confirming if any of it is true.
Rolling Stone of course has a long history of marrying a well-told tale with semi-ascertainable facts. i mean, how much fact-checking did they ever really do on Hunter Thompson? His hilarious ramblings were of course 80% opinion and 20% figments of what was left of his imagination. Devoted readers knew what to take seriously and what was comic lubricant. But Hunter was ripping on venal politicians. He was not making stark assertions of violent gang rape.
If nothing else, Rolling Stone has a serious problem with Erdely and whoever her binky is in the editor’s suite. As we now know, a previous, sex-drenched saga from her developed a lot of serious holes after publication. And lest we forget, Erdely authored the 2012 feature on gay teenage suicides in “Michele Bachmann’s home district”. That one is holding water for the moment. But conservatives are on the attack.
The larger issue is that the culture needs more credible, popular outlets for investigative journalism, not less. Shameless freak shows like FoxNews will always draw a crowd and make money. The great trick of righteous indignation, like Matt Taibbi pulls off, and Erdely has projected, is getting it right.
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