So I see “Magnum P.I.” is the latest geezer hit to get the re-boot treatment. Fans of TV as it once was already have a new “Hawaii 5-0” up and running, have seen “Roseanne” rise from the dead … die … and be born again (as “The Connors”, without the queen crazy) are awaiting the restoration of  “Murphy Brown.”

Since I never had any interest in any of these shows when I was (much) younger, I’m a bad judge of who they’re meant to entertain in 2018. But my wild guess is that none of the host networks in any rare moment of candor expects these shows to connect with your Gen X-ers, hipster Millennials or really anyone without an AARP card. That’s because what’s on sale here is — like Classic Rock on the radio — nostalgia for the aged, the now creaky folks eager to recall the time when their knees and hips and cataracts weren’t artificial.

Anyone younger than that has something in the range of 450-500 scripted TV series sprawling across dozens of cable channels and streaming apps providing comedy or drama far … far … more sophisticated, complex and involving than a reboot of color-by-numbers formulas anchored in an era 30 years out of date.

Somehow this nostalgia business — which will make a few bucks for the major networks — reminded me of how my own media consumption has shifted even over the past year. I mean, I don’t call watching a network series anytime in the past 10 years. “The Good Wife”? Never saw it. Oh wait. I did follow “Lost”. But when that ended (badly), so did my relationship with the ABCs, CBSs, NBCs and Foxs of the world, except of course for sports.

The main reason? The profound lack of imagination and audacity in storytelling. Think of it as an evolutionary standstill. Point being, times have changed network TV hasn’t. What worked in 1985 works today only with people with an impractical fixation with lost youth.

Other than a few gay characters it’s been years since there’s been anything in broadcast programming that offered any real sense of cultural change, suspense or comedic surprise. Why? Because everything, as they say in football, is being played between the 40 yard-lines. Right in the safe, dull, bland, familiar middle. It’s a safe, friction-less zone of perfect predictability, where everything is designed to reassure viewers that a kind of rule-abiding Eisenhower-era fantasy world still exists. Any viewer looking for a representation of life with the complexity of what they see around them every day has no choice but tune out and look elsewhere … and they’ve found it in abundance in shows like “The Sopranos”, “The Wire”, “Breaking Bad”, “Game of Thrones”, “Mad Men”, “Billions”, “The Terror”  and (a current favorite) HBO’s “Succession.”

In that vein, it occurred to me, while driving up to the cabin recently, that it has been at least four or five months since I’ve listened to anything on MPR, once the last go-to broadcast news source of any value in the Twin Cities. But MPR (and NPR) have now been entirely, and I do mean entirely, replaced by podcasts, all of which offer a far greater depth of reporting and analysis on a wider range of topics, from politics to science to entertainment than anything public radio can (or will) do within its self-determined parameters.

And yeah, this is Trump’s fault, too.

Anyone following the sprawling Trump story is vividly aware of characters and facets and the interplay between cast members that gets only passing “headline” mention on broadcast TV and only slightly more from public radio. (Honest analysis of the story puts hyper-cautious non-profit news outlets into the “bias” zone, y’know.) As with all complex fictional dramas, part of the appeal of the Trump story is figuring out who got to who and what made what happen, as well as building a notion of how it all ends. But most of that — way too much of it if you’re following closely and are, as I say, already familiar with the timelines and characters — is missing from public radio, and the network news.

Where it exists for me today are on podcasts like:

The Ezra Klein Show   (Check out the hour-long Aug. 2 conversation with Adam Davidson of The New Yorker. Note the part where they both express fear of what follows Trump, namely “competent Trump”. Just as corrupt, but not nearly the fool. Klein’s earlier conversation with author Michael Pollan, on his new book, “How to Change Your Mind” is maybe the most fascinating thing I’ve listened to in years.)

The Josh Marshall podcast.  (Linked is a recent one with Marcy Wheeler, a startling savant on dates and interrelations of characters in the Trump-Russia drama.)

The 538 Politics Podcast (The episode linked has Nate Silver and his crew playing with various theories of the Trump case. The key character IMHO is Clare Malone, the gal in the boys club with a very sharp and clever wit.)

Pod Save America. (Kind of the monster hit of political podcasts, starring ex-Obama speechwriter Jon Favreau and cronies.)

“Why is This Happening?”, with Chris Hayes. (This one, starring the MSNBC host, is newer and bit wonkier. But this particular conversation with Amy Chua, author of “The Battle Hymn of the Tiger Mother” was a thoroughly satisfying discussion of tribalism in American culture.)

The Lawfare Podcast. (At 334 episodes and counting, it’s kind of a granddaddy of the species. This particular episode, hosted by the conservative Heritage Institute is a fascinating and scary look at what’s coming next in fake news, namely “deep fake” video. Probably in time for this November’s elections. (Also, for a change of pace, here’s another talking with scientists about whether we should communicate with aliens — of the outer space variety.)

“I Have to Ask” with Isaac Chotiner of Slate. (Linked is his conversation with Davidson of The New Yorker.)

Brain Science, with Ginger Campbell MD. (Invariably interesting discussions with scientists on brain research and phenomena. The linked episode is with neuropsychologist Elkhonon Goldberg, (I had never heard of him), discussing creativity and — very relevant to the appeal of fake news — how in some humans novelty overwhelms the right hemisphere’s critical function.)

Celebration Rock. Hosted by Steven Hyden of 93X here in the Twin Cities. (Linked his Hyden talking, with customary intelligence, with Don DeLuca of the Philadelphia Inquirer about my favorite band of the moment, The War on Drugs.)

With all that and thousands more like them, the appeal of a new dude with less of a porn ‘stash and a newer Ferrari is lost on me.